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\r\n Colleen Gibson<\/a>\r\n <\/div>\r\n
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I have been bringing my classes (various grades) to Young People’s Theatre for several years now. I absolutely love how friendly, easy going and helpful the staff are when it comes to coordinating school bookings, especially Shawn. The performances are truly superb and never seem to disappoint! Coming to YPT has created lasting memories for […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Damien Atkins<\/a>\r\n <\/div>\r\n
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There was a moment, seconds before the end of “Seussical”, when I had to turn to the audience and say “And can you guess what happens next?” And I’ll never forget this one performance, where I turned and said the line to the audience and a little girl in the front row looked up at […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n George Pothitos<\/a>\r\n <\/div>\r\n
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On my arrival to Toronto in 1980 the one thing that struck me about the theatre scene was that it included a very prominent theatre company called YPT. I discovered that it was dedicated to bringing productions of great quality and integrity to young audiences.\u00a0 So you can imagine how thrilled I was when I […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Carole Higgins<\/a>\r\n <\/div>\r\n
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Thank you YPT for being an inspiration to young people and theatre artists across the country. – Carole Higgins, Artistic Director, Carousel Theatre for Young People, Vancouver<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Patricia Mary Clarke<\/a>\r\n <\/div>\r\n
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When my four children were growing up in the ’70’s and ’80’s we were all regular visitors to the YPT where so many marvellous shows for children were produced and performed. The one show that stands out in my memory is Joseph and the Amazing Technicolour Dreamcoat. It was an amazing colourful production with wonderful […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Kelly Crosthwaite<\/a>\r\n <\/div>\r\n
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When I first immigrated from California to Toronto, I volunteered as an usher at what was then, the Lorraine Kimsa Theatre for Young People. The groundbreaking premiere of Hana’s Suitcase was on the Mainstage and this was my introduction to YPT: An incredible and moving story about a young girl murdered in the Holocaust and […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Steven Schipper<\/a>\r\n <\/div>\r\n
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Every theatre in Canada owes a debt of gratitude to Young People\u2019s Theatre.\u00a0 For fifty years, you\u2019ve worked with the best artists to create great theatre for young, impressionable audience members who grew to demand the very best from all of us.\u00a0 You planted seeds of talent, taste and common humanity in both artists and […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Matthew Jocelyn<\/a>\r\n <\/div>\r\n
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Thank you, YPT, for existing : for creating a desire and relevance and joyfulness and legitimacy and necessity and whimsicalness and gumption for\/in\/and about theatre, from the firstest to the lastest. – Matthew Jocelyn, Artistic Director, Canadian Stage, Toronto<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Peter Gallagher<\/a>\r\n <\/div>\r\n
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Reflecting on my twenty seven years at YPT, when every day was a story, has made me realize what a major influence YPT had on my life. It afforded me the extraordinary opportunity to associate and work directly with so many creative and talented people. In particular the wonderful Drama School teachers and staff whose […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n M.C. Legault<\/a>\r\n <\/div>\r\n
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I first remember gratefully introducing my children to your stage at a very young age and still think back fondly on how they thrilled at seeing characters from a fondly enjoyed book ( “The bird who couldn’t sing”?) come to life\u2026 I also hosted two wonderful birthday parties\/plays there over the years, which were a […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Kerry Somerset<\/a>\r\n <\/div>\r\n
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My friend and I took our daughters to YPT to see the production of “Hana’s Suitcase”. The girls had read the book and this was a wonderful adaptation that allowed the girls to enjoy live theatre and discuss artistic changes when moving between different mediums. The experience was a fantastic mother-daughter outing. Thank you for […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Emmy Alcorn<\/a>\r\n <\/div>\r\n
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Young People\u2019s Theatre has been an important national theatre company for 49 years, leading the way for artists, audiences, and communities across the country and around the world.\u00a0 They state that they \u201cwant to have a positive and lasting impact on the emotional, social, and intellectual development of young people\u201d. I would say they do […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Janet Jensen<\/a>\r\n <\/div>\r\n
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Our Holy Cross students have had the privilege of attending great theatre\u00a0presentations through the Arts Impact program. The pre-shows and post-shows have been so valuable getting students to inference, use critical and analytical thinking skills to better understand the themes and big ideas of a show. Young People’s Theatre\u00a0has been a great resource and source […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Tanisha Taitt<\/a>\r\n <\/div>\r\n
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My… where to begin. My relationship with YPT began in 2009. As a directing Apprentice with Obsidian Theatre, a key element to the apprenticeship was fostering connections with outside companies. I was brought on board as Apprentice Director of The Princess and the Handmaiden. I’ll never forget that first morning, the only person there not […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Cathy Zeleniak<\/a>\r\n <\/div>\r\n
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My first years of teaching I was at what is now Nelson Mandela Park Public School. Being an inner city school we tried not to ask parents for money but we tried to give our students the best learning experiences we could. YPT was very helpful with this by providing free admission for our classes. […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Amy House<\/a>\r\n <\/div>\r\n
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Thank you YPT for bringing such beautiful stories to life on the stage in an inspired and thoughtful way; and for nurturing our children\u2019s imaginations, and in a fun way teaching them about people, places, ideas and problem solving\u2026oh yeah, and for helping to make culture an option! – Amy House, Artistic Animateur, Resource Centre […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Brendan Healy<\/a>\r\n <\/div>\r\n
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Thank you YPT for igniting a passion for the theatre in countless young people and ensuring that the art form remains relevant to future generations. – Brendan Healy, Artistic Director, Buddies in Bad Times Theatre, Toronto<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Erin O’Rourke<\/a>\r\n <\/div>\r\n
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I was privileged to start my career in arts administration at YPT in the early-2000’s. I learned so much from the staff about running a top-notch arts organization, instilling a love for theatre in young people and the importance of having fun at work. “Uncle” Peter Gallagher’s infectious dedication and passion for teaching theatre to […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Jessica Greenberg<\/a>\r\n <\/div>\r\n
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Many of my earliest memories and many of my \u201cfirsts\u201d include YPT. When I was very young, my Dad directed and choreographed several YPT shows and the memory of being in that magical building is palpable. I remember the downstairs snack bar and giant chocolate chip cookies and cucumber sandwiches, which must have been served […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Angela Dorigo<\/a>\r\n <\/div>\r\n
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It was the first play during which I saw my 11 year old daughter literally on the edge of her seat \u2013 absorbing the entire experience \u2013 living it with the actors \u2013 trying to understand it all. It was To Kill a Mockingbird. Fabulous. Thank you. Angela Dorigo<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Ruth Smillie<\/a>\r\n <\/div>\r\n
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Young People\u2019s Theatre inspired a sea-change in theatre in Canada and the world. Susan Rubes and Young People\u2019s Theatre also inspired a global shift in how we value the experiences, stories and cultural lives of children and young people. Happy Birthday, YPT. – Ruth Smillie, Artistic Director, Globe Theatre, Regina<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Dennis Garnhum<\/a>\r\n <\/div>\r\n
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Thank you YPT for reminding me that theatre comes in all shapes and sizes. And that a room full of young children entranced (as they were last time I was at YPT) is priceless. To the next glorious 50! – Dennis Garnhum, Artistic Director, Theatre Calgary<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Nicole Arends<\/a>\r\n <\/div>\r\n
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One of my most memorable theatre experiences was at Young People’s Theatre in 2001 when, then Artistic Director Pierre Tetrault, invited me to be his Assistant Director on the production of Ghost Train. This was near the beginning of my theatre directing career when I was exploring the question: “How to make spirituality theatrical?”. The […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Tony Moffat-Lynch<\/a>\r\n <\/div>\r\n
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I was an actor in two productions in the second season of YPT.\u00a0The Dandy Lion\u00a0played at the Colonnade Theatre and I was Dalton the Daring, a lion tamer. I seem to remember we did six performances every weekend. That same season, I was also in a school touring show by Brian Way called\u00a0On Trial. It\u2019s […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Nicola Pantin<\/a>\r\n <\/div>\r\n
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YPT felt like home the moment I was brought in to choreograph Jacob Two-Two Meets the Hooded Fang in 2003. I won a Dora Award for that show and was nominated several times afterwards for the other 5 shows I was fortunate to choreograph, all under the direction of Allen MacInnis. Every experience has been […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Vanessa Porteous<\/a>\r\n <\/div>\r\n
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Thank you YPT for being the first. The first professional theatre specifically dedicated to young people in Toronto, in Canada, and one of the first on the continent. You have blazed a trail. More importantly, you continue to lead. Bravo. Here\u2019s to the next 50 years. – Vanessa Porteous, Artistic Director, Alberta Theatre Projects, Calgary<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Christopher Newton<\/a>\r\n <\/div>\r\n
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We have to pretend to be someone else in order to discover who we actually might become. We never discover who we are — or very seldom do we see ourselves clearly — but we plunge into life hoping that we can assume the mantle of our potential. All of life is in the ‘dressing […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Andrea Dymond<\/a>\r\n <\/div>\r\n
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I had an unusual childhood. By the age of 6, I had seen at least a dozen plays and only one film in a movie theatre. Most children, especially nowadays, have the opposite experience. This was partially because I was fortunate enough to have spent my early childhood in the 1970s growing up in a […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Anusree Roy<\/a>\r\n <\/div>\r\n
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YPT made me believe in Possibility… One of my most profound memories involves the 18-year-old me sitting in a dark theatre watching YPT\u2019s production of The Hobbit while weeping quietly and believing in the possibilities and magic of theatre. At the time, I was a brand new immigrant working as a co-op student in the […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Stacey DePass<\/a>\r\n <\/div>\r\n
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As a young actress in Toronto, fresh out of theatre school, I was amazed by the great opportunities YPT offered in the most supportive and creative environment\u2026.even the auditions felt better there! I went on tour with a YPT show all over BC and some parts of the U.S. YPT shows were known as the […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Alexander Neef<\/a>\r\n <\/div>\r\n
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Thanks to specialists like YPT, who focus on professional performing arts experiences for young audiences, Canadian Opera Company and many other companies can have confidence there will be future, eager audiences in Canada. Congratulations YPT on the accomplishments of your last 50 years. May you enjoy another 50 years of great theatre for young people. […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Pablo Felices-Luna<\/a>\r\n <\/div>\r\n
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Thank you, YPT, for infecting thousands of children and families with a love for theatre. Every time I have walked through those doors, I have felt welcome, cherished and inspired, both as a parent and as an artist. May the next 50 years bring about many more magical moments! – Pablo Felices-Luna, Artistic Director, Manitoba […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Christopher Kelk<\/a>\r\n <\/div>\r\n
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On tour with Of Mice and Men in 1980, George’s gun failed to go off (and this was the absolute closing moment of the play). Peter Donaldson was playing the role and, after three sad clicks of the weapon, he felt he had no alternative but to say “Bang!” The school audience hooted and hollered […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Ellen Curtis<\/a>\r\n <\/div>\r\n
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Our family has had a 37-year love affair with Young People\u2019s Theatre. First our children and now our grandchildren have experienced the wonder of the productions of this theatre. As parents and grandparents, we have had the added bonus of relishing the productions ourselves and delighting in the children\u2019s excitement as they watch and enjoy […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Tanya Stanton<\/a>\r\n <\/div>\r\n
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It was the early 80’s and Of Mice & Men was the feature when my grade 7 class made the trek downtown to the Young People’s Theatre. For most of us, it was our very first exposure to live theatre and for me, it was the beginning of a very long love affair. I have […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Antoni Cimolino<\/a>\r\n <\/div>\r\n
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I had the great good fortune to work at YPT early in my career. From the excellence of the artists and artisans, to the clear sense of mission in bringing quality theatre to young people \u2013 it was a wonderful experience in every way. I say to YPT: \u201clong may you run!\u201d – Antoni Cimolino, […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Richard Rose<\/a>\r\n <\/div>\r\n
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Thank you YPT for being one of the first professional theatres to hire me as lighting designer and taking me to the Montreal Olympics Arts Festival for the time of my life. \u00a0But more importantly, thank you YPT for building our audience of adults today and the audience of adults tomorrow. \u00a0Your contribution to our […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Gretel Meyer Odell<\/a>\r\n <\/div>\r\n
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February 1997. Maya Ardal was Artistic Director. I drove my little blue pick-up truck to YPT from Montreal for the first time, transporting the set of ‘A Promise is a Promise’ from Geordie Productions for a run on the mainstage. I was a young stage manager, with my first gig in the big city of […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Tal Shulman<\/a>\r\n <\/div>\r\n
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It all started for me at YPT. I was in SK and desperate to follow in my sisters’ footsteps of attending the drama camp. Unbeknownst to me, my mom had to lie and tell the camp that I was in grade one. The secret was out when they handed me a script and I couldn’t […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Mary Alberton<\/a>\r\n <\/div>\r\n
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YPT, YOU RULE!!!!!! I have been to see so many shows and participated in many workshops and evening premiere\/teacher shows that I feel like a regular. I certainly am a fan. Why? Because you only present the very best!!! The finest actors\u2026 delivering the most avant-garde and interesting shows\u2026 in the most dramatic ways\u2026 with […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Karen Kain<\/a>\r\n <\/div>\r\n
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Live theatre, especially for family audiences, is one of the most exciting ways of introducing young people to the experience of drama, spurring their creativity and instilling in them a lifelong sense of the importance of the arts\u2026 Young People\u2019s Theatre has been at the forefront of this important work for as long as I […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Dr. Peter Simon<\/a>\r\n <\/div>\r\n
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Thank you to the Young People\u2019s Theatre for enriching the lives of children for 50 years by providing them with the earliest possible exposure to the transformative power of the arts. – Dr. Peter Simon, President and CEO, The Royal Conservatory of Music, Toronto<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Ronny Fritz<\/a>\r\n <\/div>\r\n
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With formal training only in dance, and performance experience only in music, I was nevertheless invited to join YPT under Jan & Susan Rubes as male apprentice for the 1975-76 season after auditioning for Greg Rogers. The female apprentice was Sonja Smits. As apprentice, my task was to participate as fully as inhumanly possible in […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Christopher Royal<\/a>\r\n <\/div>\r\n
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I grew up in the theatre but not traditional theatre. I grew up in Passe Muraille, TWP and the Blyth Festival, the alternative theatre, the theatre of new Canadian work. My parents were the upstarts. I grew up with The Death of the Donnellys, The Farm Show, 1837, and Richard the Third Time. All these […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Paul Ledoux<\/a>\r\n <\/div>\r\n
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Two of my most successful plays were commissioned by YPT: Anne and The Secret Garden went on to have multiple productions across Canada. A third, Merlin, while not as critically acclaimed here in Toronto, also did well for the theatre and has been produced from sea to shining sea (Vancouver to Halifax). So needless to […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Mayor John Tory<\/a>\r\n <\/div>\r\n
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Over the past 50 years, Young People\u2019s Theatre has made an indelible mark on the City of Toronto. My mother was a volunteer in the early days, working alongside founder Susan Rubes. Even then, this unique company\u2019s value to our City was clear. Through its professional productions and educational programming, YPT has introduced the performing […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Jim Morrow<\/a>\r\n <\/div>\r\n
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Congratulations from all of us at Mermaid Theatre of Nova Scotia to Young People\u2019s Theatre for fifty years of developing, producing, and supporting quality theatre for younger audiences. In addition to creating a myriad of memorable productions over the past five decades, YPT has raised the bar in enhancing standards of excellence for quality family […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Phoebe<\/a>\r\n <\/div>\r\n
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My mother took me to the YPT all the time. I was very lucky! I saw The Emperor’s Panda, Mischief City, Jacob Two-Two (all the stories), Frog and Toad\u2026 I also went to the drama camps a few times and I had a great time \u2013 being backstage at a real theatre and putting our […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Michael Jones<\/a>\r\n <\/div>\r\n
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I was very young \u2013\u00a0still in middle school \u2013 when I saw the production of Diary of Anne Frank starring Eli Wallach and Anne Jackson. It’s one of my first strong memories of going to the theatre. The story, of course, is well known, but I still vividly remember the beautiful and elaborate set. I […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>

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\r\n Marie O’Brien<\/a>\r\n <\/div>\r\n
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As an educator for 29 years I have enjoyed countless productions at YPT with hundreds of students. Such wonderful memories of incredible productions in a warm and inviting setting. It’s been a joy for all of us! Marie O’Brien<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>","max_pages":2}